Piper's souvenir handkerchief of synthetic silk overprinted on one side, probably 1930s

Woman's coat in yellow felt screen-printed with design in dark orange and dark green or black, body and sleeves printed with Zandra Rhodes' two-colour 'Knitted Circle' design and lower skirt with one-colour 'Diamonds and Roses' design: British, by Zandra Rhodes, 1969

One of a pair of women's shoes, in red suede leather, low rise with low heel and square-ended toe, soft up-standing tongue trimmed with narrow self-material bow, black sole: English, Stafford, by Lotus, 1966

One of a pair of women's shoes, in red suede leather, low rise with low heel and square-ended toe, soft up-standing tongue trimmed with narrow self-material bow, black sole: English, Stafford, by Lotus, 1966

Set of Highland bagpipes comprising drones and blowstick only, 'blackwood', bone and horn mounted with 'button' mounts, c. 1870, and modern replacement mouthpiece

Practice chanter of African blackwood with fingerhole spacing as on the full-sized Highland bagpipe chanter, by David Naill and Co., of Chesham, Buckinghamshire and Minehead, Somerset, c. 1990

One of five passenger blankets of maroon checked synthetic fabric, used on British Airways Concorde service

Set of drones for a set of Highland bagpipes made of varnished light hardwood mounted with ivory and white metal ferrules and blowpipe mouthpiece of synthetic material Scottish, 19th century

Practice chanter of ebony, ivory mounted, blowpipe has been repaired with a synthetic mouthpiece and the chanter is marked three times with the maker's name, made by William Gunn, George Square, Glasgow, c. 1850

Practice chanter made of laburnum with sole piece of synthetic material, by David Glen, Edinburgh, early 20th century